Tag Archives: Gallery

Artist Opportunities – Fresh Meat

I’ve just come across this open call for artists from Fresh Meat Gallery who describe themselves as “a pop-up gallery and artist-run space established in late 2012”. Their mission statement is as follows:

Fresh Meat Gallery provides opportunities for emerging artists across the UK as well as continually developing creative opportunities for the East Midlands and Yorkshire. We intend to create programmes that focus on participation and debate, building relationships between artists and audiences. We aim to focus on working with young creatives in developing their practice and providing the public with contemporary, innovative art.
– (www.freshmeatgallery.com/?page_id=824, 8 April 2013)

Hardly ground breaking or awe inspiring is it?

Clearly Fresh Meat’s definition of an “opportunity” for emerging artists (whatever an emerging artist might be) is very different from my own.

It’s irksome enough that artists so often have to pay, through a submission/application fee, for someone to even look at their work. I can understand that there may be a need for those holding exhibitions to charge an exhibitors fee to cover the cost such as hiring a space, insurance or marketing, amongst others. And I can accept that more commercial galleries will take as much as a 50% commission. This at least puts the onus on the exhibition organisers to at least try and sell the work rather than hosting an exhibition and then sitting back with thir feet up expecting the work to sell itself.

The costs for exhibition with Fresh meat are: £20 entry fee. 40% commission on works sold.

That’s right; not an application (or exhibition) fee or a high rate of commission. They’re milking these “emerging artists” for all they can get.

Frankly I find this disgusting and far from an “opportunity” for artists.

I have a distaste for exhibition entry fees as it stands but this £20 fee is not far off the fees charged by the likes of Jerwood Visual Arts for their open calls or the Oriel Mostyn Open as previously discussed. In these instances artists applications are reviewed by arts professionals with a wealth of experience and proven track records (not that I approve of entry fees in these instances either).

But who are Fresh Meat? Apparently they are Calum Crowther and Alexandra Cavaye who graduated from their degrees (in fine art, or a related undergraduate degree, presumably?) in 2011 and 2012. So with the possibility of a whopping 18 months of real world experience between them how can they justify a £20 application fee for this “opportunity”? It seems to me that they are no more qualified, if even as qualified as many of the artists from whom they will likely be receiving submissions. Yet here they have placed themselves are arbiters of taste.

I can’t help but think that this exorbitant fee is simply a money making fee to help get their venture off the ground. Sadly there are hundreds and thousands of artists out there who will cough up the cash in the hope that their work my be exhibited in a real world exhibition in London.

But then this “opportunity” does offer “long-term promotion and the possibility of commissions”. …apparently.

The possibility of commissions? Surely every single exhibition opportunity out there offers such possibilities?

Given that Fresh Meat have only existed for a matter of months I can hardly believe that they have a network of buyers and collectors chomping at the bit waiting for their exhibition to open. Whilst I’d like to believe that these potential gallerists will be working their socks off to elicit countless commissions for their exhibitors the location of the show puts doubt in my mind.

The exhibition is to be held in the offices of a technology company. It’s hardly Cork Street. Yes, London W1 is a desirable location, but despite Fresh Meat’s bold claims that they are “working together to providing [sic] their contemporary space with artwork by emerging artists“, and that this partnership offers the “possibility of selling work to a high-end market“, I can’t believe that the staff at this technology company will have the time to be acting as sales representatives for Fresh Meat.

Likewise I find it hard to believe that the the Directors of Fresh Meat Gallery will be camped out in the offices of this technology company drum up sales in their makeshift gallery.

I have no problem with young graduates try to start up their own galleries and art organisations. In fact I would applaud anyone who is trying to do so. However, seeing such organisations, run by young graduates, exploiting their peers, or “emerging artists” if you prefer, in order to help themselves get a footing disturbs me.

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Contemporary Art Cardiff

I popped into the new contemporary art galleries at the National Museum of Wales in Cardiff this week.It’s the first time I’ve been back since they opened last year. Nothing has improved since then to be honest. If anything things in these galleries have gotten worse what with the current The Exhibitionists displays.

My main gripe with the ‘Contemporary Art Galleries’ at the National Museum of Wales in Cardiff is the lack of contemporary art in these spaces. One of the exhibitions is entitled “New Perspectives: “Landscape Art in Wales since the 1970s” and another is “Expressive Bodies: Art and the Body since 1950“.

Works from 1950-something or 1960-something are not contemporary. They are works from a period of recent history.

How can you justify displaying a painting from 1963 by Francis Bacon in a contemporary art space?

Admittedly there is a fine line to be drawn as I will accept the display of David Hockney’s 1964 painting ‘The Actor‘ in the same space. My argument for this would be based upon the fact the David Hockney is a contemporary artist; that is, he exists in our time.

The contemporary art galleries at the National Museum actually include works by Francis Bacon as mentioned above (died 1992), Ivon Hitchens (died 1979), Martin Bloch (died 1954) Evan Walters (died 1951) and even Gwen John (died 1939) – amongst others.

Things get older still when you walk through into the Derek Williams Gallery. Why is this included within the museum’s contemporary art space? I’m not sure that it includes by any living artists at all. In fact last year when I popped in to have a look at these galleries the Derek Williams Gallery included a work by Lowri as did the museum’s historic art galleries.

That’s a sure fire way to confuse the general public.

Of course there is some contemporary art in these galleries. There are some wonderful paintings by the likes of Brendan Burns and Terry Setch and fantastic sculptural work by Laura Ford.

These ‘Contemporary Art Galleries’ were opened last year as a part of a £6.5 million overhaul of the museum’s art galleries. What really irks me about these galleries is the use of the space relative to the fact that Cardiff has no real contemporary art spaces of national standing.

Of course there are one or two spaces like G39 who do an admiral job in supporting artists and their development. But Cardiff doesn’t have a contemporary art gallery that can compete with the likes of The Fruitmarket Gallery in Edinburgh, Baltic in Durham or Ikon in Birmingham for example.

If used properly the museum’s galleries could be used to put Cardiff on the Art map with a bang.

When it was announced that the new contemporary galleries would be opening in the museum I had a hoped for so much more. Clearly the attitude to curating these galleries is that of a museum curator and not of a contemporary art gallery curator. Only a handful of the works on display have changed since I visited last year and this doesn’t encourage me to make a return visit to these galleries in the near future.

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